Tag: aerosmith

Deaf or Havana

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Today I was joined on the show by James and Max from Deaf Havana

Following on from the success of playing ‘HYPE or THEORY?’ with The Hype Theory 2 weeks ago, there was only one logical thing to do.

On next week¹s show I’ll be joined by Herman and Sam from Dragonforce!

I won¹t be at Glastonbury this year ­ LONG STORY ­ but I will be hitting Calling Festival to see Aerosmith. I haven¹t seen them live in nearly 5 years – I wasn’t at Download either – another LONG STORY – so I’m buzzing with excitement. There¹s a full day of supporting bands in the old school vein ­- Duff McKagan’s Walking Papers, Thunder, Richie Sambora from Bon Jovi and Heaven¹s Basement to name a few.

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Between now and then I’ll be mostly listening to the new Rise Against single I Don’t Want To Be Here Anymore ahead of the release of their seventh studio album The Black Market on July 14th, because nobody does melody driven, politically minded punk rock quite like this Chicago four-piece.




In Defence of Nu-Metal

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I know they’re trying to wind people up. I know I shouldn’t rise to it. i also know that plenty of publications print complete falsehoods on a regular basis, often followed by a minuscule apology when the damage has already been done.

But seriously, have you read this article by Lucy Jones of the NME?

http://www.nme.com/blogs/nme-blogs/10-reasons-why-nu-metal-was-the-worst-genre-of-all-time

I understand that she doesn’t get ‘nu-metal’. A lot of people don’t. But there’s just so many poorly argued points in this article it beggars belief. To save boring you all to sleep, I’ve narrowed it down to a succinct Top 5.

1. Deftones have ALWAYS been high on festival line-ups, this is not just a recent thing. To claim a band as diverse as this is just ‘nu-metal’ and to discredit their longevity is lazy journalism.

2. The assumption that ‘rap + metal = crap’, by default, implies that Rage Against The Machine are ‘crap’. And I would seriously question any music critic who thinks that.

3. The Strokes did not ‘wash anything away’. I remember vividly Slipknot’s ‘Iowa’ beating The Strokes ‘Is This It’ to Number One in the same week, with 1/10 of their hype.

4. It is accepted by everyone, apart from it seems the NME, that the first rap/rock crossover was Aerosmith/Run DMC’s ‘Walk This Way’, not Anthrax/Public Enemy’s ‘Bring The Noise’ a year later.

5. The article resorts to petty insults about how a band looks to make its point.

However, the point, that REALLY gets my goat deserves a whole separate article. It’s Lucy’s throwaway comment that Limp Bizkit and System Of A Down are ‘sexist claptrap’. Yes, there’s an argument that Limp Bizkit are misogynistic and I accept that. But System Of A Down? Really?!?! I do worry in the wake of ‘Blurred Lines‘ that people can be accused of sexism without being questioned and it’s just taken as fact. But I cannot think of a single lyric, track, album, video, live performance or interview that SOAD have ever done which even has a touch of sexism to it. It is seriously unfair on the band, their fans, or the genre, for the NME to make such a bold statement without backing it up.

Anyway, I’m off to Break Stuff. Keep rollin’ baby, you know what time it is.

N.B I tweeted Lucy Jones last night and asked her to offer an example of System Of A Down’s sexism, at the time of writing I have received no reply.